How do you hear new music? Three lessons in creative listening from St. Thérèse of Lisieux

deformingprisms

St. Thérèse rosesby Sarah Perske

Sometimes insights turn up in the most unlikely places; I’ve stumbled across intriguing ideas that apply to new music in the writings of poets, novelists, philosophers, and – in the present case – the autobiography of a 19th century nun. Consider the following odd story about the act of listening told by St. Thérèse of Lisieux:

“For a long time I had to kneel during meditation near a Sister who could not stop fidgeting; if it was not with her rosary, it was with goodness knows what else…I wanted to turn around and glare at the culprit to make her be quiet, but deep in my heart I felt that the best thing to do was to put up with it patiently, for the love of God first of all, and also not to hurt her feelings…In the end, I tried to find some way of…

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